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Posts Tagged ‘24’

Last Friday I had to join all the other fans and watch “BattleStar Gallactica” at it’s normal scheduled airing time on the SciFi Channel.  Down to the final 10 episodes, I now have to wait a week to get my next fix.  I’m not use to this, you see I’ve only recently discovered this gem of television.  One of the best written shows I’ve ever seen, even better then “The Wire,” “Gallactica” blends fantasy with issues of religion, politics and human psychology.  It’s nearly an 80-hour, ever-evolving mythology about the few survivors of a nuclear genocide wandering the universe in search of sanctuary.  Heads up, if you haven’t seen the series you may not want to watch the YouTube recap attached to this blog.

Just like Steve Erickson writes in the January 2009 issue of Los Angeles magazine, I discovered the series this summer.  My friend Stefan Rhys had the mini-series and the first three seasons on DVD.  Once I started watching, I was hooked, sometimes watching 4 or 5 episodes at one time.  I couldn’t believe how good it was, with such a brilliant cast and beautiful women.  What the “frack” had I been thinking?  Even though many had raved about the show, I couldn’t get past the original ’70s cheesy show produced by Glen A. Larson and starring the late Lorne Greene.  I also don’t usually like science fiction but like Erickson writes, “Galactica is that thing that always seemed possible in science fiction but for whatever reason hasn’t been: an adult drama, built around adult relationships, that happens to be set in a science fiction context.”

It might have been Glen A. Larson’s attachment to the series that stopped me from watching.  I had never been a big fan of his television shows, (Knight Rider, The Fall Guy, Magnum P.I.) but back around 1997, I was hired as the Assistant Director on a syndicated television show, conceived by Larson, entitled “Night Man,” based on the comic book character.  Matt McColm played Johnny Domino, the misunderstood musician who battled crime as Night Man with a limited amount of super power.  He also drove a really cool car.  We had a lot of fun making the series in San Diego and I was introduced to many of the Assistant Directors that I still work with today, including on shows like “24” and a few feature films.  I also assisted for the first time, one of my favorite directors to work with, Rob Spera.  The problem was the cheesy visual effects and the writing and continuity.  I remember in one episode Johnny’s father, played by Earl Holliman, was eating a steak, even though in previous episodes his character had been established as a vegetarian.  Or when Michael Woods, who played Lt. Dann, was handed rewrites after we had shot the scene.  Funny memories now, but not at the time.  The next year it didn’t matter because Larsen took the whole production up to Canada to save a buck and we were unemployed.  The show was cancelled the following year.  On a side note, another former Glen Larsen television show, “Buck Rodgers in the 25th Century,” is being created as a 20 webisode series to premiere in 2010, as reported in Fan Cinema Today.

“Battlestar Gallactica” has never won a major Emmy, but it is no “Night Man.”  The premise is something we’ve seen dozens of times before, “Man has created robots (in this case Cylons) and the robots get smart enough that they start to be like humans and seek revenge,” but this show puts to question what it even means to be human, to have emotions.  It ties myth and imagination to the political issues of our times.  As Erickson writes, “exposing humanity at its wisest and most ruthless, its most compassionate and murderous.”  Now that’s the kind of television I’d like to be a part of, but for now I’ll enjoy the genius of Ronald D. Moore each Friday night.  For those who haven’t seen it, start with the mini-series on DVD and just try to stop, I’m warning you.  There’s nothing else like it on television, well, except maybe “Lost.” Doesn’t that start again this Wednesday?  Oh man, how am I ever going to get any work done?

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Unconventional Media in Los Angeles announces the opening of Unconventional South, an affiliate office in Nashville, TN.  Eric Mofford, a film and television professional, with production credits ranging from the Emmy winning Fox television show “24,” starring Kiefer Southerland, and ABC’s “Extreme Makeover:Home Edition” and now President of Unconventional Media stated, “With the opening of Unconventional South we have created a company with deep creative resources that draws on a large talent pool in both Los Angeles and Nashville.”  Before moving to Los Angeles in 1994, Mofford produced many music videos in Nashville including Alan Jackson’s “Chattahoochee.”

Unconventional South offers film and video services that range from traditional corporate and broadcast television to music video and game and web media creation.  Unconventional Media, Los Angeles recently completed production on the live action sequences, using multiple state of the art RED ONE cameras, for Electronic Arts (EA) upcoming video game release “Need for Speed: Undercover.”

Nashville based, Unconventional South is headed up by Michael Catalano, founder of the Nashville Film Festival and recent Director of TV Arts Channel 9 and iQ tv10, arts and educational television for Nashville, Tennessee.  “I am very excited to be involved with an organization that has such a wide range of production capabilities…one that can offer high quality media services to the Southeast.  To be able to draw on Nashville’s creative community and to couple that with what our Los Angeles office can provide, opens up the widest range of possibilities imaginable.”  Catalano and Mofford first worked together on the award winning film, “Travelin’ Trains.”

Unconventional South has it’s eyes on applications for the next big idea, located at 1301 16th Avenue South, Nashville, TN 37212 615-500-8784

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Can computer animation really compete with the big screen? Yes. Gaming giant Electronic Arts (EA) and Unconventional Media have combined to pull cinema into the gaming fast lane via EA’s successful street-racing franchise, Need for Speed.

“I believe it’s the next level in game play,” states Eric Mofford, producer and founder of Unconventional Media, a Southern California cross-over film and new media company. “Gamers will have a real cinema-like experience with the upcoming release of EA’s Need for Speed: Undercover.”

Mofford, a film and TV professional, was initially approached by “24” colleague, director and production designer Joseph Hodges, to produce the cinematic portions for the game. “I was quite pleased to get the call. EA was looking for that same sort of visual style and immersive narrative that we bring to “24,” but the bigger creative challenge for us would be to develop something that was seamless with the game’s look, and keep it fresh,” explains Hodges. Mofford adds, “We focused on getting the most filmic look we could from digital cinema. What we ended up with were real sets, a huge lighting package, and the RED ONE.”

“I think the most important job for a Producer is to assemble the best team possible for the production,” says Mofford “especially with a first time cross-media endeavor.” Mofford brought on board long-time colleague, Director of Photography Jeffrey Seckendorf, who was enthusiastic about the prospects of shooting with the RED.  “We knew EA needed a digital delivery and they wanted high definition. And shooting raw with the RED ONE, we were able to deliver 4k dpx files along with color corrected masters, allowing EA to work at a much higher resolution level than in its previous games,” explains Seckendorf.  The result is a hot look for Need for Speed: Undercover that is virtually indistinguishable from a large-budget feature film.

“We’re excited about exploring this creative melding of gaming and the Hollywood experience. No one knows yet how far cinema in gaming can go!” Mofford concludes. Wherever that road takes Unconventional Media, you can bet the end-product will be anything but conventional.

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Earlier this year I started my own production company Unconventional Media, LLC.  I was very lucky that Director/Production Designer Joseph Hodges from “24” ask me to produce the Electronic Arts (EA) video game, “Need for Speed:Undercover“.  I produced all the Live Action segments, the car racing stuff is all animation.  The first trailers for “Need for Speed:Undercover” are out.  Be forewarned you’ll need the most recent version of Flash.

Anyway, I’m discovering this to be a rapidly growing business. I’m excited to take all my years of filmmaking and production and use it for this new media.  Returned from the Virtual World Expo last week with even more information about the future of media.  So I thought I’d start this blog to pass along the things I’ve discovered and the they relate to the skills and production things I already know.  Hey, it may even prove to be helpful to someone.  Who knows?

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