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Posts Tagged ‘The Sacrifice’

I am excited and honored to announce that our documentary, Houston We Have A Problem, which aired as part of the REEL IMPACT series on PLANET GREEN, has been nominated for a 2011 News and Documentary EMMY Award. We’re headed to New York City for the event on September 26th.

To celebrate our nomination and to give a new audience an opportunity to see the film, Prescreen and Unconventional Media have joined together to present the complete feature documentary online starting September 16 at the website for 60 days only. The buzz on Prescreen is great including a write up in the Wall Street Journal and we are honored to be part of their initial launch.  Check it out if you are considering online distribution.

For the September 16 premiere, the film will be available for a discounted price of only $4, so please help us spread the word and use this opportunity to catch the film if you haven’t seen it because the next day it doubles in price.

The documentary film is an inside look into the culture of oil and oil barons, exploring the history of our dependency that has led to the energy crisis.  Press includes a LINK TV interview with Director/Producer Nicole Torre, plus excellent reviews from the HUFFINGTON POST and  CURRENT TV . My favorite still is the British Daily Motion discussing the film.

For a complete listing of film festivals and reviews, visit the film site.

While in New York City, I will also be attending as Head of Production for Lady of the Canyon, the Independent Feature Conference as well as the New York Television Festival for the premiere at the Tribeca Cinema of a 22 minute taste of our film, Finding Hope, starring Molly Quinn, Chris Mulkey, James Morrison, Richard Riehle, Christine Elise, Kristen Dalton, Andy Mackenzie, Ray Abruzzo, Darby Stanchfield, Jon Lindstrom and a whole bunch more incredible actors. Written and directed by Diane Namm, I produced. Facebook Fan site

The film is the story of 16-year old Esmee Johnson (Molly Quinn), a child bride, forced to marry at 13, who runs away from the isolated polygamist community in which she grew up.  Esmee has to navigate through a world she never knew existed, and plunges into the seedy underbelly of New York City.  Pursued by her husband, Rev. Ezra Dobbins (Chris Mulkey), sought by the FBI as a government witness, and fearful of the human traffickers with whom she originally seeks refuge, Esmee runs because it’s the only way she knows to stay alive.  She becomes a teen fugitive in her quest for FINDING HOPE.  We’ve completed the first half of the film, but now seek completion funding. The screenings are FREE, but you have to register online.

Molly Quinn discusses her work in both the New York Daily News and Wetpaint .

This has been a long creative journey for both writer/director Diane Namm and myself which she acknowledges in this short video, “Why Finding Hope

The story started with Namm’s short award winning film, The Sacrifice, starring a then unknown Molly Quinn which can be watched online at the website. There is also a behind the scenes with Diane and myself on YouTube.

If you have any interest or questions regarding these projects or the slate of projects in development, please contact me. I’d love to hook up while in New York.  Thank you.

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I’ve just returned from a three week trip to the west coast of Ireland, Kerry County to be exact. Beautiful country. The weather was erratic, as I’m told it is at this time of year, including rain, snow, sun and heavy winds all changing within the hour. I was there to Line Produce a feature doc-dramedy entitled, “We’ll Always Have Dingle,”about filmmaking and film festivals in Dingle, Ireland, wrapped around recreated classic Hollywood films. Become a Dingle Doc Facebook Fan.

The project was produced and directed by Geoff Wonfor (“Beatles Anthology“) and produced by my good friend Diane Namm (“The Sacrifice” “Telemafia“) and Debbie Vandermeulen of Fusion Entertainment. The Irish crew was top notch, including DP Eugene O’Connor, AC Conor Kelly and Trevor Cunningham handling sound duties. The real surprise was the amazing assistance from a group of ten students from the Irish training program, FAS. All were enthusiastic and creative. We couldn’t have done the project without them.

For me, the highlight of the shoot was the day spent at Cuminole Beach on the Dingle Peninsula. Until recently, the peninsula was remote from modern influences and therefore, the language and traditions of the area have survived intact to a greater degree than in most of Ireland. This is evident by the local Irish news report on the production. (See it here, about nine minutes into the broadcast.) We were recreating a scene from David Lean’s 1970 film “Ryan’s Daughter” (which was originally filmed in the area). We couldn’t have asked for better weather and visibility. From the location you can see the Blasket Islands, including one that looks exactly like a giant man sleeping in the ocean. It really wasn’t difficult to understand how the Celtic myths and legends began in this part of Ireland.

Dingle is a gorgeous, small fish and farming village, rich with Celtic history and known for its pubs and friendly people. I met a bunch of American ex-pats and local artists, some to surely be life long friends. Unfortunately, because of the workload, I didn’t get to see much at the actual Dingle Film Festival, but was very impressed by the crowds of avid film lovers. It reminded me of the early days of the Sundance Film Festival.

I did get the opportunity to introduce our documentary film, “Houston We Have A Problem,” which played at the film festival. After the screening there were many discussions on the film and American energy policies at the pub. Amazing, how European audiences seem to get the film and understand the history of U.S domestic energy better then most Americans. I also sat on a panel for the RED camera. This seems to be the camera of choice for independent features in Ireland. “We’ll Always Have Dingle” was shot on the RED. I showed some RED clips that I produced through my company Unconventional Media for the EA video game, “Need for Speed:Undercover.”

After the exhausting eleven days of production, I traveled inland to Trelle, the industrial center of Kerry County. I presented a two day workshop on Line Producing/UPM and AD work for the FAS students. The students seemed real interested in the process of shooting film and television in the United States. Many comparisons were made to production in Ireland, but really, other then budgets, the differences are few. I passed around information about our OneOnOne Film Training program at the class conclusion.

My last night was spent in Cork, Ireland, a city on the southwest coast. The city reminded me of a small San Francisco, but with lots more history. I visited the birthplace of the amazing guitarist Rory Gallagher and an exhibit on Medieval life in that part of the country. At the end of the night, I ended up at a pub catering to foreigners with lots of loud Americans. At that moment, I wasn’t sure I was ready to leave and get back to all that.

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sowingcirclegroupsmallA few weeks ago Jeff Seckendorf and I were interviewed at the Cinema Innovators Event by the PixelHead Network.  We talked about Unconventional Media and our commitment to New Media.  I also discussed the video streaming we’ve been doing at Unconventional South.  I can’t tell you how excited I am by our upcoming event  on Saturday February 28th at 8:30 PM,(Central Standard Time), 6:30 PM (PCT) presenting Billy Falcon and The Sowing Circle live on a national video stream.

There has been some great recent posting including Mashable.com and Dorkmuffin on the best outlets on the internet for new musical artists, definitely worth checking out.  However, neither mention live internet streaming, which gives the opportunity for anyone in the country, and sometimes the world, to be part of an audience seeing and hearing a performer live.  I enjoyed the last stream Unconventional South uploaded of Billy and the Sowing Circle so much, I was hung over the next morning.  That’s how real it felt, just like I was sitting at the Blue Bar in Nashville from my living room in LA.

This time things will be a little different, it’s an informal house party.  Since we are still experimenting, Michael Catalano of Unconventional South, will be flying solo with camera and sound.  It will be an intimate, uncut live performance.  If you read my post on “Stone Cold Sober in Music City” you know one of the things I love in James Szalapski’s film, “Heartworn Highways,” are the scenes of Guy Clark, Townes Van Zandt, Steve Earle and others sitting around the living room, playing music, drinking, smoking and espousing the importance of back-to-basics country.  I hope this video stream Saturday night will evoke that same feeling.

The “Sowing Circle” is a conceptual night of music Billy Falcon started two years ago.  Billy is a well established musician and songwriter, mostly known for writing over 12 songs for Bon Jovi, including most of the hits.  To Billy, the Sowing Circle is “at its worst a lot of fun, and at its best, it’s something tribal.  Unplanned and unrehearsed; it’s gifted singers, songwriters, violinists, guitar players, sax players, trumpet players, percussionists… coming together for the love of the music and nothing more.  Audiences are not merely spectators, they become part of the experience, with musicians sitting next to them and microphones set up for them to join in at will.”

Mix in some Dead, Springsteen, Bon Jovi, Hank Williams and Phish and you only begin to understand the Sowing Circle.  Tune in for this is a rare opportunity to not only hear, but see some of today’s most prolific and talented songwriters and performers including Billy’s wonderfully talented and beautiful daughter, Rose Falcon, present their music in the most honest and direct way possible.  Join Billy, Rose and all their visiting guests this Saturday, February 28th, 9:30pm EST, 8:30pm CST, 6:30pm PCT by following this UStream link.

This weekend, on the West Coast, the fun doesn’t stop there.  On Sunday, March 1st at 2:30pm, the short film I produced “The Sacrifice” is playing at the Beverly Hills Shorts Film Festival.  Written and directed by Diane Namm, “The Sacrifice” recounts the gripping tale of 13-year-old Esmee Johnson on the day in which cult leader Rev. Dobbins comes to take her as his wife.

The Sacrifice” was shot on Super 16 film, the multi-talented cast includes: Chris Mulkey (Cloverfield, Friday Night Lights, X Files); Darby Stanchfield (Mad Men, Jericho); Jon Lindstrom (Must Love Dogs, Right on Track, and General Hospital); Richard Riehle (Office Space, Grounded for Life) and Molly Quinn (Castle, A Christmas Carol, directed by Robert Zemeckis) ).  Ivy Isenberg was the Casting Director.  I’m so glad to see the film continue to get festival play.  A great weekend ahead, indeed.

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I first met Jeff Seckendorf on the feature film, “Finding Home” starring Genevieve Bujold, Louise Fletcher and Lisa Brenner.  I was impressed.  I found his cinematography and his visual understanding of how to tell a story the most impressive thing about the feature film.  We’ve remained friends ever since.  A few years later I had the opportunity to produce a short film that Jeff directed entitled “The Crux,” starring Misha Collins and Wilie Garson (Sex and the City).  Still liked his understanding of film and how to tell the story visually.

Jeff Seckendorf has taught the “Art of Cinematography” for years at the International Film and Television Workshops (now the Maine Media Workshops).  It was because of Jeff’s introduction that I began to teach a course on producing at the Workshops.  One of my favorite highlights each year.  More info at my website at www.EricMofford.com.

A few months ago I completed production through my production company Unconventional Media on the live action elements of the Electronic Arts (EA) video game, “Need For Speed:Undercover.”  We shot a 25-minute narrative film that is interlaced into the game.  Jeff was the Director of Photography and he did an amazing job.  We chose the RED camera for a variety of reasons: the large chip allows full control of depth of field, and the camera records in a ‘raw’ mode which allowed us to deliver a 4k intermediate.  Check out my RED Camera blog for more info.

So the long story short, Jeff has a wonderful training course for directors, cinematographers, editors, production designers called One On One Film Training.  This is not a film school, but a confidential consulting and mentoring program that teaches visual storytelling.  It doesn’t matter if you have a feature film or a video short, a TV commercial or music video, the process is the same.  How to tell the story!

I saw the success of this program when I produced Diane Namm‘s short film “The Sacrifice” starring Chris Mulkey, Jon Lindstrom and Darby Stanchfield (Mad Men).  Diane is a terrific writer and theater director but it was with Jeff’s One on One Training that she had a much better understanding of the filmmaking process.  I’ve worked with many first time directors, on bigger budget shows, that didn’t know what to do.  That wasn’t true with Diane Namm.  She was a professional throughout production.  I credit Jeff and his course (and I believe Diane would to) for this knowledge.

If you are not in Los Angeles, I know that One on One is available via ichat and podcasting.  In fact, I join Jeff on the audio recording “Making a Short Film.”  Check it out.  Check out the program.

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