Feeds:
Posts
Comments

Posts Tagged ‘AFI-Dallas’

In our feature length documentary, “Houston We Have A Problem,” Van Jones, founder of Green for All and author of “Green Collar Economy: How One Solution Can Fix Our two Biggest Problems” states, “We need to honor the people in the oil industry, the coal industry, at this point they’re heroes in a way…stop the name calling, let’s work together. It is possible to go from the oil age to the solar age in a way where the wisdom and the genius of our existing energy sector is tapped and utilized. They know more about energy, better then anybody else. We now need to see that genius for the next stage.” Doesn’t sound like the Van Jones you’ve seen portrayed in the media lately, does it?

Attacks between the Left and Right have gotten this country nowhere, especially when it comes to discussions about energy. This theme resonates loud and clear throughout the documentary, to quote the director/producer Nicole Torre, “this is not a pro ‘Big Oil’ film, nor an anti-oil film, this is a pro domestic energy film.” After viewing “Houston” at the Cambridge Film Festival in England, Chris Peck wrote that “the film bores deep into the western world’s dependence upon oil, unearthing some uncomfortable truths. In particular it questions why political figures have constantly allowed the ‘sleeping dog’ of a global energy crisis to lie… (The Director) Torre approaches the issue with restraint, allowing an array of genuine Texan oil men to tell their own stories with candid honesty and humour and this is to the film’s benefit.” In the program guide at the Wine Country Film Festival, Asalle Tanha writes that “Director Nicole Torre has brilliantly gathered exclusive interviews with an A-list cast of Texas oil barons, Wildcatters, and top executives, including the former president of Shell Oil, the chairman of BP Capital, Sen. Harry Reed, the US Senate Majority Leader, and Middle East adviser Joanne Herring, who married the founder of Enron and was the basis for Julia Roberts’ role in “Charlie Wilson’s War.” You may just be pleasantly surprised to hear what they have to say. ‘Houston We Have a Problem’ is a devastatingly fresh documentary that stands out in the surge of films that address ‘green’ issues. Torre’s boldness in approaching oilmen shows that the energy problem extends far beyond profit, politics, and party lines. The film is nothing short, as David Clifton, the president of Rational Broadcasting puts it of ‘a masterpiece.’”

I’m proud to have been a producer on the film especially after it premiered at AFI-Dallas in March to a mixed crowd of Texas oil supporters and environmentalists and almost all congratulated us because we had made a film seeking solutions, not blame. That’s exactly the response we had hoped for, people to start thinking about solutions, together, as a country. As KERA-PBS wrote in their Art Seek blog review after the screening, “wildcatters got us here, and wildcatters are going to lead us out.” AFI-Dallas posted an interview on Vimeo. The film has also shown at the Maui International Film Festival, the Calgary International Film Festival, the San Diego Film Festival and has upcoming screenings scheduled for Hot Springs Documentary Film Festival, the Austin Film Festival, and the San Francisco Documentary Festival. I’m especially excited to be part of “50 documentaries from 50 countries” in a planned worldwide tour as part of the United Nations Association Film Festival under their theme “Energy and the World.”

Van Jones wrote in his book, “the best answer to our ecological crisis also responds to our socio-economic crisis. The surest path to safe streets and peaceful communities are not more police and prisons, but ecologically sound economic development. And that same path can lead us to a new green economy.” As Carl Davidson writes in his review of the book, “Jones is a strategic thinker who gives definite answers to the question, ‘Who are our friends, who are our adversaries?’ He narrows the target to speculative capital with roots in carbon-based energy industries and the militarism needed to secure their supplies. He seeks close allies in the wider working class of all nationalities, especially in the Blue-Green Alliance formed on the core partnership of the United Steelworkers with the Sierra Club. He also looks for allies among faith communities, environmentalists in the suburbs and rural populations suffering at the hands of anti-ecological agribusiness, offering a vision of wind farms and solar arrays for sustainable rural development. He sees the importance of cutting back defense spending and opposing unjust wars abroad.”

This is radical thinking from a self-described “radical, rowdy black nationalist.” But as exemplified in our film, he isn’t the only one thinking this way and most are far from what Glenn Beck could term “Communists.” It’s the kind of thinking to move this country from dependency on foreign energy resources. That’s why I was so excited when I heard that Van Jones had been named “Special Advisor to President Obama on Green Jobs.” Here was a man who was right for the job, a job that required immediate attention. Judith Lewis writes in her LA Times article, “Meet the Real Van Jones,” that for 20 years, Jones worked trying to get Americans to pay attention to the urban poor. “We would call newspapers, television stations, saying kids are dying, we’re going to funerals every weekend. ‘Not interested.’ The deeper he got into it, …the more he realized that the environment was central to the kind of social justice he cared about. For the affluent lefties in the audience, he teased, environmentalism might be about polar bears and other “charismatic megafauna.” But “in the poor part of town, when they say, ‘Oh, the environment is terrible,’ they’re talking about air pollution, asthma, cancer clusters and birth defects.” As Carl Davidson states, “putting young people to work at low-to-medium skill levels retrofitting buildings for energy efficiency seemed like a no-brainer, so the demand for “Green Jobs, Not Jails” was raised.

In the film, Van Jones believes, “we have to have the determination as a people, as a country to continue to move aggressively into alternative energies.” From the blog, ODE, “Van Jones redefines ‘green’ change-makers from the rich or the fringe to everyday people that are looking for ways to be successful in the long term. Instead of distancing himself and others from entrepreneurs by idealizing them, he looks for ways that regular people can become progressive.” There is also a good interview with Jones from a few years back at Poptech.com.

Sadly, those committed to the past, a conservative mindset that would rather attack then seek solutions, quickly portrayed Van Jones as a “Communist.” Another McCarthy-era “Witchhunt” was ignited, first by Cliff Kincaid, of America’s Survival, when he wrote, “it appears that a Communist Party spin-off, the Committees of Correspondence for Democracy and Socialism (CCDS), was instrumental in some way in getting Jones his job.” As Harvey Wasserman writes in his article “Obama has feed his Green Jones to King CONG,” “like millions of Americans he (Jones) signed a petition asking for an investigation into the 9/11 felling of the World Trade Center. He used the dreaded term “asshole” to accurately describe some Republicans, and then used it to describe himself and his friends.” Fox News fueled the attacks with misinformation and as papers like the National Review followed up, it soon became obvious that Van Jones could no longer do a proper job for the President and he resigned.

I really don’t care what Van Jones did in the past as a “radical,” just like I don’t care that T. Boone Pickens (also in our film), formerly with BP Oil, now promoting wind power, helped fund the inaccurate “Swift Boat publicity” that harmed John Kerry’s Presidential run. I don’t believe President George W. Bush’s past drinking and cocaine snorting was a reflection on his presidency. People change, Thank God, and it was all about change for Van Jones. Changing this country for the better. As Lewis writes in her article for the LA Times, “These days, Jones is far from the wild-eyed radical Kerpen described. In fact, he has been moving to the center, where the power is, for years. He has spent his time writing grants, appealing to city councils and working with legislators such as Nancy Pelosi on green-jobs bills. He sat on the board of the Apollo Alliance, a group more-radical environmentalists have criticized as a mainstream sellout for its work linking industry with a greener agenda. And his nonprofit advocacy group, Green For All, recently launched a program to involve the private sector in building an ‘inclusive green economy.'”

“With clarity and verve, Jones finally brought to the mainstream the critical message that what’s good for the environment is also good for the economy… finally injected into the mainstream the message that there will be no prosperity, no full employment, and no survivable planet without the necessary and doable conversion to a green-powered Earth,” writes Wasserman. This is the message that comes from both Big Oil and the Sierra Club in our film, “Houston We Have A Problem.” We can free ourselves of foreign oil, but it’s going to take everything, (solar, wind, geo-thermal, algae, nuclear, clean coal and even new oil fields like the ones recently discovered by Occidental Petroleum in Kern County, California) but most of all it’s going to take brave new thinking, new ideas. We can’t be frightened of the new thinkers because all ideas usually start off radical, look at Darwin. As Lewis writes, “Jones’ departure is a big loss. He should be judged not by a few missteps but by his long history of working toward a highly desirable but elusive goal: an environmental movement that crosses boundaries of place, skin color and class. By working to bring green jobs to ‘the poor part of town’ and involving mainstream environmental leaders in the cause of fighting poverty, Jones has made a huge contribution…one can only hope that this… will have the positive side effect of galvanizing support for his work; that it will call attention to urban poverty, pollution and his ideal of a green economy.”

I agree with Harvey Wasserman, “Van Jones, as imperfect as the rest of us, was Obama’s critical firestarter in a green-powered revolution that is decades overdue… Pushing Van Jones aside is a major coup for the destroyers of the planet, and a big loss for those of us who would re-power and save it.” We need lots more Americans like Van Jones, otherwise the real terrorists win.

Advertisements

Read Full Post »

IMG_0129

Last Saturday night I had the pleasure of attending a free live performance by Bear McCreary and his team of world class musicians perform his original scores from the Emmy-deserving television show, “Battlestar Galactica.” It was the opening for this summer’s Grand Performances in downtown Los Angeles, a consistently wonderful showcase of world music.  We’ve been going for years.  One of those hidden treasures of LA.

As indicated on these pages in January, I think “Battlestar Galactica” is fracken great.  However, I didn’t really understand how important the series was until I attended a panel last week hosted by Geoff Boucher (LA Times Hero Complex) as part of the LA Times “Envelope” Emmy screening series. Writer/creators Ronald D. Moore and David Eick were there, as well as stars Edward James Olmos and Mary McDonnell, but the surprise was that they were joined by United Nations Senior Human Rights Official, Craig Mohkiber and United Nations Senior Political Affairs Officer, Stephen Siqueria. I guess last March, this same group sat in front of the United Nations (video links here) and discussed issues ranging from human rights accountability to peace and justice in the world. They not only talked about how these issues related to BSG, but what we as nations can learn from the decisions made in the show, both by the military, demonstrated in the series by Admiral William Adama, played by Olmos, and, on the civilian side, by President Laura Roslin, played by Mary McDonnell.

If who haven’t seen the show, tens of thousands of human survivors have escaped annihilation from the man-made Cylons by taking refuge aboard a group of spaceships, lead by the aging warship Galactica. They begin a search for a new home planet, the mythical 13th colony, called Earth, chased by the Cylons, many that look human. As President, Laura Roslin sacrifices thousands of innocent civilians, abolishes reproductive choice, executes enemy combatants without trial and nearly steals an election over the course of the series. That was the point of the UN event and the Los Angeles event billed as “TV – making global issues relevant.” After showing clips from the series, the speakers shared how these shameful and violating acts continue for real across our world. As UN official, Craig Mokhiber said, “every nation on this planet has broken the rules of human rights,” and talked about how part of the UN mandate was to safeguard the human rights of everyone, regardless of race, gender, ethnicity, and station. This fictional series gave us all an opportunity to think and discuss human rights, justice versus revenge, punishing people who perpetrate crimes against humanity, by watching episodes that take place on a spaceship in the future.

Isn’t that amazing? A fictional television show that carries significant political and world issue relevance. Most important, BSG was entertaining, I never felt like I was being preached too. That is the true genius of Ron Moore and David Eick.  In addition, the contribution of director Michael Rymer, as Moore acknowledged that night as “the third creative force that contributed heavily to our vision.” (It was fun to see the director get credit publicly for their creative input on a television series.  It rarely happens.)

It doesn’t have to be mindless, to be entertaining. That’s why I got into filmmaking.  To tell stories that make us think, react, research, formulate an educated opinion. We understand this to be true with documentaries, but as Basil Tsiokos reminds us in the terrific blog he wrote for indiewire,”8 Documentary Dos and Don’ts,” no one needs another wrongly executed doc film that’s only about message. Basil is a programming associate for the Sundance Film Festival and was Artistic Director for NewFest for twelve years.  He screens a lot of films and knows that a documentary can be important and informative, but it still needs to be entertaining.

That was our goal for the documentary, “Houston We Have a Problem” directed by Nicole Torre. The film explores our dangerous addiction to oil through candid insights from the Barons, Wildcatters, CEO’s and Roughnecks that comprise the world of Big Oil. An inside look into the culture of oil that explores the history of our dependency and how it has led us to the current energy crisis.  I’ve written about this film before here, when it premiered at AFI-Dallas and it continues to play the festivals. The issues the film addresses are important, but I believe we presented them in a fun, sometimes humorous, never boring way.

However, I am no Ron Moore. I’ve tried to write screenplays with significance, usually with them ending up being obvious and heavy.  I look forward to Mr. Moore’s television movie “Virtuality” airing June 26 on Fox about a group of astronauts who pass the time in virtual reality modules as their interactions are beamed back to Earth as a reality TV show. The new BSG series “Caprica” starts in January, about the kind of people, think us, that would create Cylons in the first place.  There is also “The Plan,” the Battlestar Galactica story from the Cylons perspective airing on Sci-Fi in November.  Directed by Edward James Olmos, a trailer was shown at the event and to quote Olmos, “it is breathtaking. It’s fantastic… I couldn’t have imagined this kind of a situation happening at the end of a show, where you would actually start at the beginning. That’s a masterful piece of understanding, Ron is a genius. Because after you see ‘The Plan,’ you’ll want to go back and view the whole series again.”

In these days of Twitter informing the world of election protests in Iran before the news can cover the story, important stories, fact or fiction, WILL FIND an audience. Smart filmmakers are figuring out how to find that audience. BSG is just one of many, many great shows on television, so why go out and spend big bucks on a crappy studio remake. If you want your film seen, it’s about getting it out there, any way possible.  In fact tonight, I’ll be watching the pilot episode of “Caprica” on DVD that was rented from Netflix. I’m sure the hope is that as a fan. I’ll like the new show as much as BSG and so when it airs, I’ll tell my friends and it will become “must see TV.” That’s forward thinking and we need more writers, showrunners and filmmakers to be looking forward and to tell the stories that have important relevance to our lives, yet still are entertaining. And so say we all!

Read Full Post »