Feeds:
Posts
Comments

Archive for the ‘internet’ Category

Sunshine Superman

I know it’s been awhile since I’ve posted here, but we’ve had some ups and downs in these changing media times. In fact, many days it’s felt like the photo above from the documentary “Sunshine Superman.” One Big Leap of Faith.

A special shout out to this heart racing doc “Sunshine Superman,” directed by Marah Strauch that Magnolia Pictures/Universal is releasing theatrically on May 22. The awe-inspiring story is about Carl Boenish, the father of the BASE jumping movement, whose early passion for skydiving and filmmaking led him to even more spectacular – and dangerous – feats of foot-launched human flight. I was the Line Producer for the Los Angeles portions of the film.
Nice mini review from Rolling Stone Magazine. In fact it’s been getting great reviews everywhere. See the trailer and follow the film on Facebook.

Another project I recently Line Produced/Produced was Nicholl Fellowship winner Alan Roth’s directorial debut “Jersey City Story” for Lexus. The dramatic short film is now available on the Lexus website, L Studio.

Our original comedy series “Love & Loathing: Adventures in Divorce Land” premiered February 14th through Mi Shorts distribution as part of Dailymotion The series questions if two middle-aged romantics can find true love flowering through the cracks of divorce? It’s pretty funny. Written and created by Tony Soltis (“The Shield”) and produced by myself, Tony and Mark Manos. I directed 3 of the episodes. The series stars Bonnie Burroughs and Christopher Hatfield. Love to hear your comments and thoughts. Watch it on the Love and Loathing Series site. Follow us on Facebook   Twitter @Divorceland

Inspired by these online showings and viral sharing, we’ve released some previous projects now for FREE online viewing. Many that I’ve written about on this site in the past. Check it out.

The Emmy Documentary on oil and the American men and women that make energy their business “Houston We Have A Problem” on Vimeo

My multi-award winning short narrative blues film, “Travelin’ Trains” Click on “Screening.” Also, the thought provoking short film I produced in 2005 starring Willie Garson and Misha Collins “The Crux”. Directed by Jeff Seckendorf​, Cinematography from Tom Houghton, ASC,​ Production Design from Edward L. Rubin.​ I think you’ll like both films.

The award winning 13 episode PBS series “Senior Year” on 12 young people in their last year of high school at Fairfax High School are now all available at a special Siteroll web site, SeniorYearShow . Also, from Displaced Films our documentary on race relations in the south “Displaced in the New South” continues to play on the wonderful preserve of documentaries on American roots, Folkstreams.

The documentary, “Go Public: A Day in the Life of an American School District” has been airing on PBS stations across the country since last May, 2014. The true stories of those hard working people in education; Teachers, advisers, students, etc. My favorite is the piece I directed on the janitor, Felix Lopez. Find us on Facebook for updates.

A television pilot “Kids2Kids” about children and their parents making a difference in their communities. Facebook

Enjoy and certainly spread the word! I promise to be back to the blog more often, but first you’ve got some watching to do!

Advertisements

Read Full Post »

On Tuesday May 8th, 50 directors and their teams spread out among 28 public schools in Pasadena, California to document “Go Public: A Day in the Life of PUSD.”  The plan was to follow a wide-ranging group of individuals who participate in the School District, be it Teachers, students, principals, administrators, school workers, volunteers and any others that make a public school district function. An introduction to all of those that think they know, but haven’t actually stepped into a public school for a long time. Each Director is assigned to make a short film of their subject which will then be presented on the website, afterwards all the footage will be collected by Producers Dawn and James O’Keefe of Blue Field Productions to create a feature documentary that will (according to their Mission Statement), be “a window into the world of one urban school district, the many dedicated people, the myriad of opportunities available and the complexity of effectively serving the needs of all students.”

When I was introduced to the project I knew immediately I needed to get involved. My two daughters have gone through the Pasadena Public School System from kindergarten to high school graduation and now are successfully getting their degrees at Occidental College, (in fact, my eldest just graduated “Cum Laude” with plans to teach in public schools).  Both my parents were public high school teachers. I believe in public education, especially in Pasadena.

However, after co-producing the 13-part series, “Senior Year” in 2000-2002 for PBS and just recently completing “Senior Year: Ten Years Later,” I wanted to follow a different story then students and teachers, which had been the center of our series. I had recently been amused by a statement from then Republican Candidate Newt Gingrich, “most of these schools ought to get rid of the unionized janitors, have one master janitor and pay local students to take care of the school. The kids would actually do work, they would have cash, they would have pride in the schools, they’d begin the process of rising.” Well, I wanted to explore that idea, on a regular school day in Pasadena could a kid do a janitor’s job.

My team (of 2) and I met the custodian Felix Lopez at Washington Middle School at 5:30 am on May 8th, the day of filming. He unlocked the chains and opened the gates to the parking lot, just like he does every morning and just like each day at the school, he never stopped working once the gates were open. “I like to see this place clean,” he told me later in the day, “the environment clean really helps.  When the parents say what a beautiful school, it makes me feel good.” Lopez is a Mexican immigrant, one of ten brothers and a sister, he grew up poor and attended school only up to 4th grade. “English language was so difficult for me, but I learned by listening, especially PBS. The proper English from England, so many good shows.” He still donates to PBS every year. I liked that.

Vice Principal Eric Gothold said, “Feliz Lopez goes out of his way to provide a clean and safe environment for our kids, but he also takes every opportunity to teach them as well, life lessons, skills, conversation and compassion.” He’s right, everywhere Mr. Lopez went around the school (picking up trash, sweeping the floors, washing down the lunch tables) students and teachers greeted him and he knew each of their names. One eighth-grader we interviewed said, “Felix, he’s an awesome dude. I came here every morning, he helped me with Spanish a little bit. He keeps you out of trouble, he influences me.” His friend added, “Nobody wants to be bad in front of him, it disappoints him. Some kids are disrespectful to their teachers, but they’re never disrespectful to Felix. He’s a good person.”

We didn’t go to Felix’s house out of respect for his wife. Her Mother was very sick and she was emotional and concerned about the possibilities of losing her. That wasn’t the documentary I was making. However, we did follow Mr. Lopez as he picked up his daughter at John Muir High School in Pasadena. She is a Sophomore and is a terrific writer for the school newspaper. Her plans are to go to college to study Architecture. He also has two grown sons in their twenties who no longer live at home. It isn’t hard to see the love he has for his family, especially his daughter. “If we want to learn, we’re going to learn. If we don’t want to learn, we won’t. I want someone to be better then me, anyone, I’m so proud when someone does well, doesn’t matter rich or poor, but you have to want it. I’m keeping this place nice and clean for all of you.”

To Felix Lopez, he helps children learn by giving them a clean, beautiful place to be educated. He cares about his job and the school and it shows. The hallways sparkle. We joyfully filmed reflections of students on the floors of the halls because of how clearly we could see them. It was a cameraman’s dream. Recent budget cuts have forced the school system to cut back on janitors, but it hasn’t stopped Felix. He now does the job of two custodians. At the end of the day, we were exhausted just following him around the large campus. But as we watched and interviewed the Principal Marion Stewart, the Librarian Christina Diaz, the Vice Principal, the security staff and many of the teachers, we were struck by how hard all of them worked. Nobody had time to kill. My team was usually the only ones in the Teacher’s Lounge. They all have a job to do and that is to educate the next generation. The same job that all those that work in public education, teaching 90% of the children in this country.  Everyone who thinks they know about public education by presenting a few bad apples, needs to spend a day at their public school before judgement. It certainly realigned my opinion. Go Public.

Read Full Post »

  On Wednesday, November 30, 2011 the Santa Ana winds blew through Pasadena and quickly made downtown look like Armageddon.  Don’t believe me, take a look at these photos.  We lost electricity at Unconventional Media, but it didn’t matter, I wasn’t working. The electricity was out at the home of my sister, Lindsay Mofford and her husband, Tucker. I’ve written on this blog about Tucker Stilley before, his battle with ALS (amyotrophic lateral sclerosis, also known as Lou Gehrig’s disease) and without use of any of his muscles, outside of his neck and eyebrows, his ability to create artwork and interactive media with just a reflective bindi-dot on his forehead that controls a complex system of computer technology.

Here’s a video link, “How We Do It” that explains the method behind, “The Permanent Record of NewJack_Rasputin.” His website, The Permanent Record, is this pirate avatar’s portal to his art, songs, ideas and videos. Check out the recent new work in reaction to the Occupy movements and new music with visuals, Brite Gray.  But don’t stop there, explore the website for other work or search out, TuckerStilley.com. There is also an APP from Appucan of his Deconstructed Faerie series.  In 2010, he was one of six honored with the Massachusetts College of Art’s Alumni Awards for Distinguished Achievement. (His video speech, since he was unable to attend.)

Back to the power that went off that evening and did not return for 63 hours, a stretch that could have proven deadly to Tucker. He now breathes 24 hours a day with the assistance of a ventilator.  When the electricity went off, everyone had to kick into emergency mode and that’s what amazed me. Not only how quickly the family and caretakers reacted, but how the community of fans and friends stepped in to assist. There was a news piece about the situation in the Pasadena Star News.

Now, there have been other postings about the community of support and friendship for Tucker, including an episode on the radio program, Humankind and a blog on Indiewire a couple years back. There is even a website entitled, All Hands on Board, that links supporters and friends to updates on the artist and new work and most importantly, to each other. Even a Facebook site.

But as medical needs grow, people are now not only giving money as a tax deduction, but also donating their own art to be sold in a community marketplace with all finances raised supporting Tucker. I’m amazed at not only Tucker’s art work that is available for purchase but all the other great things.  This Community Page continues to grow with so many possibilities, it’s one stop shopping for the holidays. You must see it. I’ve got my film Travelin Trains up there. My mom has her new book, “The Devil Made Me Do It.” The incredible musicians, Alloy Orchestra, have a few of their original movie soundtracks available including, “Man with a Movie Camera.” Beautiful prints. Bardo scarves. Even stays in Florence, Italy and Cambridge, Mass. More gets added every day.

Every step of this journey has been a new discovery and when the lights go out, new discoveries are made.  Tucker normally communicates using a custom-built computer system he started designing seven years ago when he was first diagnosed with ALS. These days it is very difficult for him to communicate without the computer. When the electricity went off and running only on a small generator to power the medical equipment, the computer had to go. Tucker was forced to retreat to his only refuge – his mind.  In the program notes for his art show a couple of years ago at Monte Vista (Read the review), he wrote, “I feel it is logical, my own nervous system failing, that I would spontaneously generate an alter-ego, tear a hole-in-space and try to escape.  My situation warrants immediate and drastically uncompromising self-metamorphosis. An exquisite new aesthetic unfolds when you are standing on the deck of a burning ship. Being paralyzed amplifies the uneasy link between intent and action and brings into question the true meaning of this place and time that we occupy…and of what our ultimate audience might prove to be.”

At times he describes himself as a “brain in a jar,” but it is a brilliant brain. We thank you all, those supporters that are consistently involved in Tucker’s life, but as his neck and shoulder muscles begin to give, we are reaching out to new medical procedures like the Eyewriter  and more medical staff to keep the “brain” creating. We need to go beyond the community that knows Tucker and introduce him to those who have yet to meet him. I believe the Community Marketplace is a good starting point. Please share, buy and donate.

Read Full Post »

I am excited and honored to announce that our documentary, Houston We Have A Problem, which aired as part of the REEL IMPACT series on PLANET GREEN, has been nominated for a 2011 News and Documentary EMMY Award. We’re headed to New York City for the event on September 26th.

To celebrate our nomination and to give a new audience an opportunity to see the film, Prescreen and Unconventional Media have joined together to present the complete feature documentary online starting September 16 at the website for 60 days only. The buzz on Prescreen is great including a write up in the Wall Street Journal and we are honored to be part of their initial launch.  Check it out if you are considering online distribution.

For the September 16 premiere, the film will be available for a discounted price of only $4, so please help us spread the word and use this opportunity to catch the film if you haven’t seen it because the next day it doubles in price.

The documentary film is an inside look into the culture of oil and oil barons, exploring the history of our dependency that has led to the energy crisis.  Press includes a LINK TV interview with Director/Producer Nicole Torre, plus excellent reviews from the HUFFINGTON POST and  CURRENT TV . My favorite still is the British Daily Motion discussing the film.

For a complete listing of film festivals and reviews, visit the film site.

While in New York City, I will also be attending as Head of Production for Lady of the Canyon, the Independent Feature Conference as well as the New York Television Festival for the premiere at the Tribeca Cinema of a 22 minute taste of our film, Finding Hope, starring Molly Quinn, Chris Mulkey, James Morrison, Richard Riehle, Christine Elise, Kristen Dalton, Andy Mackenzie, Ray Abruzzo, Darby Stanchfield, Jon Lindstrom and a whole bunch more incredible actors. Written and directed by Diane Namm, I produced. Facebook Fan site

The film is the story of 16-year old Esmee Johnson (Molly Quinn), a child bride, forced to marry at 13, who runs away from the isolated polygamist community in which she grew up.  Esmee has to navigate through a world she never knew existed, and plunges into the seedy underbelly of New York City.  Pursued by her husband, Rev. Ezra Dobbins (Chris Mulkey), sought by the FBI as a government witness, and fearful of the human traffickers with whom she originally seeks refuge, Esmee runs because it’s the only way she knows to stay alive.  She becomes a teen fugitive in her quest for FINDING HOPE.  We’ve completed the first half of the film, but now seek completion funding. The screenings are FREE, but you have to register online.

Molly Quinn discusses her work in both the New York Daily News and Wetpaint .

This has been a long creative journey for both writer/director Diane Namm and myself which she acknowledges in this short video, “Why Finding Hope

The story started with Namm’s short award winning film, The Sacrifice, starring a then unknown Molly Quinn which can be watched online at the website. There is also a behind the scenes with Diane and myself on YouTube.

If you have any interest or questions regarding these projects or the slate of projects in development, please contact me. I’d love to hook up while in New York.  Thank you.

Read Full Post »

Winner Best Director – Nicole Torre, DocuWest Film Festival, 2010
Winner Best Point of View Documentary, EcoFocus Film Festival

Official Selection – Documentary Fortnight, Museum of Modern Art, NYC, 2010
Official Selection – United Nations Association, Traveling Film Festival
Official Selection – Over 30 National and International Film Festivals

It’s been a busy year of festival screenings and promotion for our award winning documentary feature film, HOUSTON WE HAVE A PROBLEM.

Now available for a very short time to view online, this week only, special for Earth Day!  If you feel like others should see this film, like we do, help spread the word.  Until April 30, 2011 for only $8.95, (cheaper then most feature documentaries on itunes), gather around the computer, have an Earth Day party, discuss the increase in gas costs, the war in Libya, learn and enjoy the film.  If you have a fast internet connection, click on the HD button, either way watch it full screen. Watch it HERE.

HOUSTON WE HAVE A PROBLEM stands out in the surge of films that address “green” issues. It takes a close examination inside the energy capital of the world to see America’s dangerous appetite for oil consumption.  The film traces the history of oil drilling in America and how the United States came to rely on foreign oil, from the Texas oilmen themselves, tracking Congress’ empty promises for alternative energy since the 1970s. The energy policy of the USA has only been a strategy of defense, not offense, problems (like the Gulf disaster last year, an inevitable tragedy) that extend far beyond profit, politics, and party lines. However, a new form of “Wildcatting” in alternatives is changing the oil industry and the country.  See and Hear the confessions of oilmen, who work in the trenches every day, scrambling to feed America’s ferocious appetite.

HOUSTON WE HAVE A PROBLEM brings both sides together, seeking solutions, making it clear that we must embrace all forms of alternatives in order to save the planet and ourselves.

Director Nicole Torre has gathered exclusive interviews with an A-list cast of Texas oil barons, Wildcatters, and top executives, including the former president of Shell Oil; the chairman of BP Capital; Sen. Harry Reid; Van Jones, Founder of Green for All; and Middle East adviser Joanne Herring, who married the founder of Enron and was the basis for Julia Roberts’ role in Charlie Wilson’s War. Watch what everyone is calling “a must see film at this time in history”.

HUFFINGTON POST just reviewed the film and wrote, “Houston We Have a Problem is an educational, upbeat examination into the history and future of oil. It is a refreshing reminder that the energy debates are not black and white.” Read the full review HERE.

CURRENT TV reviewed the film and called it “upbeat and engaging editing harmoniously meshes with its original NON-partisan clean energy stance, LOOKING TOWARDS THE FUTURE UNITED AS A NATION.” Here’s the full REVIEW.

KPFK in Los Angeles did a one hour radio program in March of the film now archived for listening. My favorite is this British Press TV discussion.

PLANET GREEN, which aired the film as part of it’s Reel Impact Series has submitted HOUSTON WE HAVE A PROBLEM for an EMMY Award!

In addition to all this, HOUSTON has been recognized by the scientific community. Last May, it screened at the Athens International Science Film Festival in Athens, Greece, and has just recently played the Academia Film Olomouc, International Festival of Science Documentary Films. For a full list of festivals and screenings, go to our website . You can also see a POST when the film first started playing the festivals.

Anyway, as you can tell, I’m proud to have been a producer on the film and if you’ve seen it, please help us spread the word, embed the links to the website on to your favorite environmental sites and blogs. If you haven’t seen the film, please watch it online now or buy the DVD for $19.95 at the website. You can also follow us on Facebook and Twitter. You can also see a bunch of clips and extra material from the film at our youtube channel.

Thank you, as always, for your interest.

Read Full Post »

tuckerwallmoniter

Tucker Stilley has always shown an interest in quantum physics, but his “Virtual Artist in Residency” at The Monte Vista Projects Gallery is the first time I’ve seen so much work by one artist dedicated to the scientific theory.  It’s like a visit to SpaceCollective.org with paints and music.  Curated by his fellow Massachusetts College of Art classmate and friend, Sam Durant (who has a great show of his own “This is Freedom” at the Blum and Poe Gallery) this is an LA Times critically acclaimed, must see presentation that has been extended until May 3rd, 2009.

I’ve written about my brother-in-law’s amazing work on this blog before when a showcase of his video art was presented at the REDCAT in 2008.  Diagnosed with ALS (Lou Gehrig’s Disease) in 2004, Tucker no longer has control of his limbs, so he uses a reflective bindi-dot on his forehead to control a complex system of computer technology.  The “How We Do It” video explains the method behind the creation of his on-going hyper-signal artwork, “The Permanent Record of NewJack_Rasputin.”

In the program notes for the Monte Vista, Tucker writes, “I feel it is logical, my own nervous system failing, that I would spontaneously generate an alter-ego, tear a hole-in-space and try to escape.  My situation warrants immediate and drastically uncompromising self-metamorphosis. An exquisite new aesthetic unfolds when you are standing on the deck of a burning ship. Being paralyzed amplifies the uneasy link between intent and action and brings into question the true meaning of this place and time that we occupy…and of what our ultimate audience might prove to be.”

If this is a blog about Unconventional Media, then Tucker’s pirate avatar, NewJack Rasputin is leading the charge, wielding a sword.  First stop at the gallery should be a read of the comic book, written and created by Tucker.  It is the backstory of NewJack Rasputin.  It is as cryptic as most of Tucker’s work, requiring close scrutiny.  Each reading I discover new thoughts and true life personal history.  Most of the comic book is available to view online at Tucker’s site, www.TuckerStilley.com.

There is a virtual media experience where gallery visitors and online viewers can interact with Tucker as he works.  The viewer has the experience of being inside the computer, looking at the artist’s “frailty and strength.”  Online, no matter where you live, you can catch Tucker making art – most days around 2 – 9pm, Pacific Time (Note: if you hear “crickets” he’s not at his console).  I’ve never seen the webcam technology put to better use.  As we watch we could become part of his next work.  At the gallery, there is a “keyboard” below the computer screen encasing over 465 used, reflective bindi-dots.  To the left of the computer are his recent brain scans.  Symbolic representations of the time Tucker has used just the turn of his head to create his art.  Above the brain scan are redefined photographs of three talents who also had ALS, Mao Tse-Tung, Leadbelly and Charles Mingus; now all with Mickey Mouse ears.

In one corner of the gallery is a collage of xeroxed photos and 8 1/2 x 11 sheets of printed words stained with red wine and tea.  (I’m in one photo, can you find me?)  Since the disease has made it difficult for Tucker to speak, the sentences, to friends, family and medical staff, read like poetry and haiku, a real understanding to the artists present psyche.  “T.O.E. (Theory of Everything),” a scroll of inkjet print outs and xerox photos overlaps one end of the word collage.  This is an older work, (which I’m proud to say I own a signed reprint copy), from his early days of computer art.  More stuff like this can be found at his website.  It’s a strong piece to have in the exhibit, not only because one image on the scroll shows Tucker drawing with his hand, when he could, but it also evokes the theories of time travel and quantum physics found in much of the recent works, many with “Time Weave” in the title.  One example, “Time Weave 63-11 Roberta” is a great representation of a person being in more then one place at a time.

The color prints of computer generated art, some of it originating from super 8 film footage or old photographs, much of it requiring viewing at different distances to fully understand the scope.  “Gimpcon Auto-collage, Self Portrait” looks to be a collection of patterns and shapes until you step back far enough to realize it is a portrait of Tucker wearing sunglasses.  Same holds true with “Last Wine Stomp at Dressle.”  My favorites of manipulating visual images into color were the “3-D Hawaii” series and “Midnight Nude at Noon.”

The “Ghost Photo” collage series reminded me of some of the first photographs from the last century that we’ve been researching for the New Orleans Paraplex documentary or stills from old silent films.  I also really liked “El Morro,” a freeze frame shot from one of Tucker’s short videos.  In the video, a big tire tube appears on the beach in a seven second circle of life at the edge of the Pacific.  In the still frame, the tire is frozen, peering out to the horizon, like a cast member from “Lost.”  Speaking of “Lost,” a shout out must go to the poster at the entrance to the gallery.  This is from a conceptual art piece Tucker did a few years back covering telephone poles with posters of an Iquana-lizard man lost like a neighborhood dog.

It’s an incredible show.  If you can’t make it to Los Angles, so much of Tucker’s art work can be seen on his website.  And just like his art, there are many “Easter Egg” surprises to explore and lead you to his music, video and other art.  It is a real interactive website.  Also visit “All Hands on Board,” a social networking site of friends and fans of Tucker Stilley’s work.  It is also another portal to his “Hole in Space” webcam.  For me, he is a mentor to the real possibilities that can be achieved with new media, new technology and new ideas.

Monte Vista Gallery
5442 Monte Vista Street
Los Angeles, CA 90042

Read Full Post »

It’s a lot of time and energy to keep up your profile on Facebook, MySpace, Twitter, Linkedin, Ning sites and dozens of other social networking sites. However, if you’re trying to make a living in the creative arts, be it an independent filmmaker, musician, artist, then you’ve got to look at it as part of the job.

Here’s just one recent example with my short film “Travelin’ Trains.” A few weeks back I notice Greg Sarni has become a Facebook friend with my sister Lindsay Mofford. Now I remember Greg, not well, but I remember drinking beer and hanging out with him at Emerson College. We reconnect, become online friends. On his Facebook site are photographs and notes about his days running the Boston Blues Festival. I mention “Travelin’ Trains,” my short blues film about a boy in search of his father in the Depression-era South. It’s full of traditional, acoustic blues. He wants to see it, especially because one of the stars is Chicago Bob Nelson.  A few years back, Bob collected the Blues Trust Lifetime Achievement Award. Greg is a fan of his music and makes mention of the prize and film in his online newsletter, Blues Trust. He also adds the Cacchi link where you can see my film for free.  The film gets a jump in views including a recommendation on Twitter by the famous Ash Grove bar in Los Angeles. I see the text and Twitter back that we need to do a documentary on the history of one of the most important folk clubs in the country. Discussions and developments begin. Thanks Greg.

Do you see where I’m going with all this? At Unconventional South in Nashville, we are constantly talking to an incredible roster of talented musicians who know that the old ways of creating an audience no longer apply.  Brian Adams knows this and is developing the network television series “Stone Cold Sober in Music City” with an online home base. You can read more about that venture in a previous blog.  We’ve also been exploring that with Billy Falcon, his daughter Rose Falcon and The Sowing Circle on Ustream.  A wonderful write up at indiemusictech.com covers what a musician has to do these days to get their music heard.  It was also a big issue of discussion at the SXSW music conference as referenced in Wired magazine.

Mashable.com is a wealth of information of guidelines, with success and failure stories of what works for artists and entrepreneurs. The write up about Ning job networks and entrepreneur networks are two of my favorite resources. How do I know when there is a new article? I follow them on Twitter. When a new story is online, they’ll put a link on Twitter. I can access it if I’m interested. This process is exactly the same for all us artists. You release a new song, photograph, film, art show and let people know it is there. The fans decide if they want to access it or not. They hear or see it and your network spreads the word. If they’re not spreading the word then something isn’t grabbing their attention.

Now everyone has their own set of rules of what and how they want to communicate via the web. I use MySpace mostly for listening to new bands and keeping track of gigs via bulletins. I reserve Facebook for my actual friends, mainly because I’ve got some friends on there that I’ve known since Junior High School.  I’d rather not share those old stories with someone I just met at a networking event. In those cases, I stay linked to the business contacts, new and old, via LinkedIn. And for me, Twitter is all about the RSS feed. I’m following you because either I like what you have to say, play, write or communicate. If you’ve got a suggestion, I want the link. I hope those that follow me feel the same way about my “tweets.”

Now I know there are dozens of other social networks including “Ning” sites like my Brother-in-Laws site, All Hands on Board, which can be very specialized. I just don’t feel like I need to be on all of them.  It might look like some sort of desperate need to be noticed. You see, there is a fine line and only you can decide what is needed to get the word out and what is too much.  We each make our own rules and that, my online friend, has got to be one of the greatest things about social networks.

Read Full Post »

Older Posts »